In a reboot of yet another film franchise we are presented with a new origin story for Lara Croft, one of the few female action heroes in both video games and cinema who offers the possibility of being a role model for young women. The result presents a question: is this reboot good enough to be the definitive version or will we be subjected to another reboot (after a sequel or two) in a few years?
British businessman and widower Lord Richard Croft (Dominic West) leaves his barely teenage daughter, Lara (Alicia Vikander), behind when he heads off on a mysterious trip from which he does not return.
Fast forward seven years to 2018 and Lara, unable to come to terms with the fact that he has likely died, is working as a bicycle delivery person in east London and avoiding all connection to her wealthy origins.
After a mishap Ana Miller (Kristin Scott Thomas), Lara's (somewhat) guardian who has been running the Croft business empire in Richard's absence, convinces Lara that she has to accept the truth and sign the legal papers so she can take over custodianship of the Croft manor and inherit the Croft fortune and business empire.
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